1. A number of films on this course engage with the theme of the interstitial,or inbetweenness.
Interstitial spaces can be understood as sites of contestation pertaining to space,belonging,identity and even the humanbody. Discuss with reference to two films covered in this course, taking care to explain why stable conceptualisations of meaning are no longer convincing in a postmodern,globalized age.
Pick two relevant films from the seven Film Choices from the course:
The Cinematic city
“Wings of Desire” (Wim Wenders 1987)
Post-Fordism, Globalization,Late Capitalism
” Leningrad Cowboys Go America”(Aki Kaurismki 1989)
Postcolonialism,amnesia and multicultural Europe
“Hidden”(Michael Haneke 2005)
Post-Heroic Narratives
“Beau Travail” (Claire Denis1999) Postmodern identities,Gender,genre and sexuality
“All About My Mother” (Pedro Almodvar 1999)
Identity,Rootlessness and the Road Movie
“Le Grand Voyage (Ismal Ferroukhi 2004)
The Death of European Art,Economic Crisis,and the Anthropocene
“Melancholia”(Lars vonTrier. 2011)
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